![]() And placing rap verses over new production is a relatively easy process when compared to drastically freshening up a pop or rock song. Too many stars have died young – Lil Peep, Juice WRLD and Mac Miller are among those to meet early ends in the last few years, leaving behind large quantities of unreleased work. Rappers often record prolifically, creating huge archives of vocal tracks to be tapped. The phenomenon isn’t limited to rap – The Doors’ An American Prayer was released in 1978 some seven years after Jim Morrison’s demise Rick Rubin continued to put out music he recorded with Johnny Cash after the country legend passed away in 2003 – but the genre does tend to produce a disproportionate amount of posthumous releases. Paak enter an old debate that’s been particularly prominent lately: what are the ethics around releasing previously unheard music by dead artists? Such drastic measures to control his post-death output has seen. “It’s in my will but it’s also on his tattoo,” she captioned the post. The message was co-signed by Lana Del Rey, who shared the photo via Instagram. “Those were just demos and never intended to be heard by the public.” “When I’m gone, please don’t release any posthumous albums or songs with my name attached,” reads the text inked on. This week, the Californian singer and rapper shared a photo of a new tattoo that scans like an extract from his last will and testament to ensure the record industry can’t do to him what it has done to others.
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